The Editing Technique of Removing Objects Inside the House



Every photo shoot might seem perfect. Photos snapped, every room covered, and then you call it a day. Now that you have uploaded them, you see a lot of imperfections and objects that simply make the image look daft. Even worse, that interior shot that you curated and staged came out unsightly when uploaded to your workstation. These are just some of the situations where removing objects and editing the photo seem to be quite the essential task for interiors. After all, your clients and prospective buyers further down the pipeline would want to see photos that are alluring and above all, pleasing to the eye. Object removal in image editing plays a crucial role especially during the retouching and clean-up process. It ensures that big and small objects are eliminated. However, there are limitations to this activity, and understanding the line that divides removing objects and editing it out from keeping it there will help you create truthful images that will make an honest impact.

Objects that Must be Removed (and must be retained)

Object removal in image editing is a powerful editing technique that can make it seem like an object never really was there. Interior images can use a lift with this technique if there are blurry objects that cannot be salvaged, or clutter than simply are too tedious to organize. If this is the case, then removing objects and editing the photo to make it look pleasing is justified. Of course, selling something that needs to look neat should eventually be physically acted upon on. But for reasons for time constraints, then taking them out of the photo is fine.

What is not acceptable is removing objects and editing the photo to make it seem pleasing, but the changes physically will not happen at all. For instance on an exterior setting, a property has been really difficult to sell because it is fronted by a huge tree that has been there for decades. Buyers have been turned off due to the fact that they have to deal with the tree if they want a clear view of the road and less work when autumn rolls around. Object removal in photo editing can make the tree go away. The consequences are dire though. Imagine people coming up to see the property and end up getting disappointed. The reputation of being credible and honest now trickles away for the real estate company and worse, that real estate company brands you as dishonest. Hence, object removal in image editing must always be truthful and does not remove anything that are not planned for actual physical removal.

What Techniques Can be Used?

There are four techniques that are rampantly used in removing objects and editing the interior image to look clean and presentable. Each have their own set of steps and merits recognition in getting the task accomplished. Whether you choose to master one or all three, it will definitely be a good way to upskill your knowledge as a photographer and make bigger waves with more clients.

  1. The lasso and delete technique

We’ve all been through the lasso tools, the polygonal, magnetic, and standard options. The lasso tools give an option to surround unwanted objects and prepare them for removal.

  • The polygonal lasso tool is quite useful in object removal in image editing especially of the object is regularly shaped. This means that it has straight edges and a definitive number of corners to work with. Simply whip out the polygonal lasso tool, surround the edges and corners while clicking to make established points and close it off with by making the first and last points overlap. This selection can now be removed using cut or delete tools but take note, an empty space will surface as removing the tool will not expose the background of the photo. This is after all, a two-dimensional image.
  • The thought of using the magnetic lasso tool for removing objects and editing them out for good is a dream for most photographers. The magnetic lasso tool has the ability to discern the shape of the objects and snaps itself to its shape if the clicks don’t necessarily line up to its irregular shape.
  • The standard lasso tool is a freehand version of the magnetic lasso tool. It works best if you have a tablet or a touch-screen monitor where you can employ the use of a stylus to make very precise outlines. Again, all three of these tools will leave a void on the working canvas. It is important that you are able to select background filling options especially in Photoshop to be able to automatically fill the empty space generated by removing the desired object or objects.
  1. The clone stamping technique

The clone stamp tool is probably one of the most useful tools to cover up unwanted things in interiors. As the name suggests, it clones one area of the working canvas, takes the pixels and colors it possesses, and copies on top of the object that needs to be removed. It essentially covers the object with a background color that makes it seem like the object was never there. Talk about convenience!

  1. The healing brush technique

Healing brush is a smart tool that can detect small anomalies. It can identify spots and blemishes and removes them with a click of a button. This is highly ideal in retouching scenarios where inevitable imperfections caused by light, reflections, or dirt, can be removed in post-processing.

  1. The cropping technique

Cropping is a very simple yet effective tool but doesn’t offer a lot. It cuts edges of a photo to remove anything in its peripherals with no sweat. The crop tool also frills-free. There is no additional complexity to it as it simply asks you how far you want to cut an image and best if all it moves under the control of your hand to perform one of the easiest techniques in object removal in image editing.

Conclusion

Removing objects from an image requires quite a bit of thinking especially when it is tempting to remove. Certain techniques and tools will give you a lot of flexibility in performing this task but always remember that whatever the case is, interior images must be clean, pristine, and presentable to make sure it draws the viewer in and makes the overall feel an exemplary experience.